Showing posts with label First Amendment Defense. Show all posts
Showing posts with label First Amendment Defense. Show all posts

Thursday, May 24, 2018

Dr. Seuss Trademark Claims Against Parody Book Title Dismissed



On May 21, 2018, the U.S. District Court for the Southern District of California granted a Motion for Judgment on the Pleadings filed by the creators of a Dr. Seuss-Star Trek mash-up parody book entitled “Oh, the Places You’ll Boldly Go!” (the “Boldly” book) against trademark infringement claims brought by Dr. Seuss Enterprises LP (the owner of the intellectual property rights associated with the Dr. Seuss books).  See Dr. Seuss Enterprises, L.P. v. ComicMix LLC et al, Case No. 16-cv-02779 (S.D. Cal.) (decision here).

Previously, Defendants argued that Plaintiff’s trademark infringement claims should be dismissed because Defendants’ title choice was protected by the First Amendment under the limiting construction provided for in the landmark case Rogers v. Grimaldi, 75 F.2d. 994 (2nd Cir. 1989):

Under the Rogers two-prong test, the title of an expressive work does not violate the Lanham Act “unless the title has no artistic relevance to the underlying work whatsoever, or, if it has some artistic relevance, unless the title explicitly misleads as to the source or the content of the work.” Mattel Inc. v. MCA Records, Inc., 296 F.3d 894, 902 (9th Cir. 2002) (internal quotation marks omitted) (quoting Rogers, 875 F.2d at 999). This test “insulates from restriction titles with at least minimal artistic relevance that are ambiguous or only implicitly misleading but leaves vulnerable to claims of deception titles that are explicitly misleading as to source or content, or that have no artistic relevance at all.” Rogers, 875 F.2d at 1000.

Defendants had argued that there is nothing misleading about its “Boldly” book title and that the use of the title was directly relevant to the underlying creative work.  Plaintiff focused its opposition on a specific portion of the Rogers decision – footnote 5 – to argue that this case was different.  That footnote 5 stated that the outlined “limiting construction would not apply to misleading titles that are confusingly similar to other titles. The public interest in sparing consumers this type of confusion outweighs the slight public interest in permitting authors to use such titles.” Rogers, 875 F.2d at 999 n.5.

In its order on the motion to dismiss, the Court found that Defendants’ invocation of Plaintiff’s trademarks was relevant to the book’s artistic purposes and that the title did not explicitly mislead as to its source or content.  However, with respect to the footnote exception, while the Ninth Circuit had not directly addressed such exception, because other district courts had determined that the exception is applicable, the Court decided that it would not dismiss Plaintiff’s trademark claims on First Amendment grounds pursuant to Rogers.

However, on November 16, 2017, the Ninth Circuit Court of Appeals issued its opinion in the case Twentieth Century Fox Television a Division of Twentieth Century Fox Film Corp. v. Empire Distribution, Inc., 875 F.3d 1192 (9th Cir. 2017).  This case involved a dispute between a record label named Empire Distribution and the companies behind the television show Empire (and its portrayal of a fictional music label named “Empire Enterprises”).  As expected, the Ninth Circuit invoked the Rogers test in deciding if the allegedly infringing use of EMPIRE as the title of an expressive work was protected by the First Amendment. 

Empire Distribution had argued that the limiting construction of the Rogers test did not apply because of footnote 5.  However, the Ninth Circuit rejected Empire’s argument for an exception based on footnote 5 – nothing that the footnote had only ever been cited once by an appellate court, and even then the Second Circuit had rejected its applicability. 875 F.3d at 1197 (citing Cliffs Notes, Inc. v. Bantam Doubleday Dell Publ’g Grp., Inc., 886 F.2d 490 (2d Cir. 1989)).  The Ninth Circuit stated “[t]he exception the footnote suggests may be ill-advised or unnecessary” because identifying confusingly similar titles “has the potential to duplicate either the likelihood-of-confusion test or the second prong of Rogers” and “conflicts with our precedents, which ‘dictate that we apply the Rogers test in [Lanham Act] § 43(a) cases involving expressive works.’” Id. (alternation in original) (quoting Brown v. Elec. Arts, Inc., 724 F.3d 1235, 1241–42 (9th Cir. 2013)).

With this revised interpretation of the Rogers test in hand, the Court then reevaluated Defendants’ use of the Boldly title under the First Amendment.  The Court reaffirmed its previous findings that Defendants’ invocation of Plaintiff’s alleged trademark is relevant to Boldly’s artistic purpose

As well-put by the court in CI Games S.A. v. Destination Films, No. 2:16-cv-5719-SVW-JC, 2016 WL 9185391 (C.D. Cal. Oct. 25, 2016): “It is clear to the Court that the artistic relevance prong of the Rogers test is meant to ensure that the title in question uses the potential trademark to express or describe its own content rather than merely to attract notoriety using a trademark in its title that is irrelevant to the underlying work.” Id. at *6.

As for the second prong – whether the alleged use explicitly misleads as to the source or content of the work – the question is “whether there was an ‘explicit indication,’ ‘overt claim,’ or ‘explicit misstatement’ that caused . . . consumer confusion.” Brown, 724 F.3d at 1245. (quoting Rogers, 875 F.2d at 1001).  The Court noted that not only did no such statement appear in Defendants’ work, but that Defendants actually went out of their way on the Boldly copyright page to inform readers that it was a work of parody that was not associated with or endorsed by Dr. Seuss.  While Plaintiff disputed the effectiveness of such disclaimers, “what cannot be disputed is that there is no statement in Boldly to the contrary, i.e., that the work is associated with or endorsed by Plaintiff.” (emphasis in original).  Moreover, Defendants’ use of similar text and design for their book title is not enough to be an “explicit misstatement.”  Without any clear evidence that the title of Boldly explicitly misleads as to the source of the work, the Court found that the second prong had been satisfied by Defendants. 

With both prongs of the Rogers test satisfied, the Court ruled that Defendants were entitled to a judgment on the pleadings as to Plaintiff’s trademark claims relating to the title of Boldly.  While Plaintiff had also pled trademark rights in the font and illustration style, because the Court had not determined if Plaintiff had protectable trademark rights in the font and illustration style of the Dr. Seuss book and only analyzed the title of the book (which it had previously determined was a protectable trademark when it analyzed Defendants’ Boldly book title), the Court’s dismissal of Plaintiff’s trademark claims was limited to just those relating to the title of Boldly. 

Wednesday, July 14, 2010

Ashley Madison Files Trademark Infringement Lawsuit in Canada Against Gripe Sites


Avid Dating Life, Inc., the company behind the extramarital affair dating website AshleyMadison.com, has filed suit in a Canadian court against Dennis Bradshaw and Lena Karachun – the purported owners of the gripe websites ashleymadisonsucks.com and ashleymadisonscam.com. (Complaint here; Courthousenews coverage here).

I don’t know how Canadian courts handle this kind of case up north, but down here, we would call this a pretty strong example of a) non-commercial, fair use of a party’s trademark and b) using allegations of trademark infringement in a lawsuit to quash the lawful exercise of free speech.

Of course, is it really no surprise that a company whose entire business model is established around encouraging extra-marital affairs would resort to a such a questionable course of action in order to obtain possession of some gripe website domain names (and removing some criticism of its services at the same time).

For more information about the trademark infringement implications of gripe sites, I recommend the following online resources:

Thursday, May 28, 2009

Software Maker Files Declaratory Judgment Action Against The Naked Cowboy

The Naked Cowboy

Bloomberg reports that European mobile phone software maker Gameloft has filed a declaratory judgment action against Robert Burck, better known as “The Naked Cowboy” (the self-appointed most famous “busker” in New York City), in the U.S. District Court for the Central District of California. See Gameloft S.A. et al, v. Robert Burck, et al,, Case No. 09-cv-3769 (C.D. Cal. Filed May 27, 2009).  A copy of the complaint can be downloaded here

(Click here for prior blog posts regarding Burck’s lawsuit against against Mars Incorporated, the maker of M&Ms candies, over an M&M ad featuring a cartoon M&M guitar-playing street performer wearing a cowboy hat, boots, and underwear – all reminiscent of Burck’s alter ego).

Burck obtained a registration for the mark NAKED COWBOY for various entertainment services on April 9, 2002. He obtained second registration on September 2, 2003, for a design mark resembling The Naked Cowboy’s likeness (pictured below) for various clothing items including, of course, underwear.

According to the Bloomberg article, one of Gameloft’s games contains a character name Nick who wears a cowboy hat and plays the guitar in Times Square. (It is not clear from the article if Nick is wearing white underwear and white boots).

Apparently, Burck has threatened to take legal action against Gameloft for trademark infringement. Thus, Gameloft took preemptory action by filing for a declaratory judgment of non-infringement.

Gameloft seeks a declaration that its Nick character is protected by the First Amendment and does not infringe on Burck’s trademark rights. Gameloft describes Nick as a “minor part of the game” representing “a humorous caricature that imitates the style of Times Square performers for comic effect and is not a literal depiction of the Naked Cowboy.”

By filing this case in California (as opposed to waiting until Burck takes action – likely in New York where Burck is located), Gameloft may be hoping to take advantage of last year’s decision Ninth Circuit decision in E.S.S. Entertainment 2000, Inc. v. Rock Star Videos, Inc., __ F.3d __ (9th Cir. Nov. 5, 2008) (blogged here). In that case, the Ninth Circuit ruled that the First Amendment protected the makers of the video game Grand Theft Auto: San Andreas from trademark infringement claims brought by the owner of an East Los Angeles strip club named “Play Pen” over a depiction of a fictional “East Los Santos” strip club named “Pig Pen” in the video game. The court held that Rock Star’s modification of the “Play Pen” mark had some artistic relevance in the underlying work and was not explicitly misleading, and thus was protected by the First Amendment.

Friday, November 21, 2008

Taco Bell's Answer to 50 Cent's Trademark Infringement Lawsuit

Yo Yo Yo No Quiero Taco Bell !

The trademark infringement story du jour on Thursday was the Answer filed by Taco Bell in the trademark infringement lawsuit filed by Curtis James Jackson, III (better known as the rapper 50 Cent) on July 23, 2008. See Jackson v. Taco Bell Corp., Case No. 08-cv-06545 (S.D.N.Y.). A copy of the answer filed in September is available here (courtesy of TMZ.com which ran a story on the filing yesterday). News articles on the originally filed lawsuit can be found here and here.

50 Cent filed the lawsuit after Taco Bell sometime in July sent an open “letter” to 50 Cent, signed by Taco Bell President Greg Creed, which offered to make a $10,000 donation to 50 Cent’s charity of choice if he agreed to change his name from 50 Cent to 79, 89, or 99 Cent and stop by any Taco Bell restaurant of his choosing and rap his order at the drive-thru using the new name. See news reports here and here.

The letter, which was part of Taco Bells’ “Why Pay More” value menu campaign advertising the company's 79, 89, and 99 cent food items, read “We know that you adopted the name 50 Cent years ago as a metaphor for change. We at Taco Bell are also huge advocates for change... We encourage you to 'Think Outside the Bun' and hope you accept our offer.” Taco Bell also agreed to feed for free all of the guests at the Taco Bell location where 50 Cent decided to place his order.

50 Cent felt that the letter used, without his authorization, his name, persona and trademark (the the registered mark 50 CENT) for commercial purposes and led consumers to mistakenly believe that he was endorsing Taco Bell. 50 Cent also felt that the campaign had made his fans think that he had “sold out” by endorsing Taco Bell, thus harming his rap image.

In Taco Bell’s Answer, 50 Cent is described as only lawyers would describe:

Plaintiff Jackson is a self-described former drug dealer and hustler. He is now a rap music performer who uses the term “50 Cent” to identify himself. His work falls in the subgenre of hip hop music known as “gangsta rap”, a style associated with urban street gangs and characterized by violent, tough-talking braggadocio.

Jackson has used his colorful past to cultivate a public image of belligerence and arrogance and has a well-publicized track record of making threats, starting feuds and filing lawsuits. At the same time, Jackson holds himself out as a giver to charity and one who wants to give back to his community.

This lawsuit is another of Jackson's attempts to burnish his gangsta rapper persona by distorting beyond all recognition a bona fide, good faith offer that Taco Bell made to Jackson.

Taco Bell describes its “challenge” of asking 50 Cent to change is name as a “soft ridicule and good-natured lampoon of the rapper's moniker, 50 Cent, and his public image as a tough gangsta rapper.” Taco Bell argues that the offer was a good natured parody of the rapper's name and provided 50 Cent with “an opportunity to give back to his community and a public forum to showcase a softer, playful side for his fans.”

Taco Bell claims it did not disseminate the letter in advertising or otherwise use Jackson's name in an advertising campaign, but rather sent the letter directly to 50 Cent’s agent. Of course, the letter was provided to the press, but only “because of the legitimate public interest in a charitable offer to a celebrity of Jackson's stature.” [Comment: Isn’t it up to 50 Cent to decide whether he would want to accept such an offer and have the public know about it – was Taco Bell trying to guilt 50 Cent into accepting the offer by publicizing it?] 50 Cent’s complaint described the letter as reading like “a poorly written voice-over for one of Taco Bell's television commercials.”

Taco Bell maintains that “The public had a right to know about the offer and whether Jackson would accept it, and Taco Bell had a Constitutionally protected right to make it.” [Comment: Taco Bell certainly had the right to make the offer, but the public had a right to know about the offer?]

Taco Bell concludes that 50 Cent could have simply answered Yes or No to the offer – and that “If Jackson simply had rejected the offer, that would have been the end of the matter.” [Comment: Of course, Taco Bell had already reaped the benefit of using 50 Cent’s name in connection with the "offer".]

Rather than 50 Cent just accepting or rejecting the offer, as Taco Bell puts it,

[I]nstead of responding to Taco Bell's sincere offer in the friendly and humorous spirit in which it was issued, Jackson launched an aggressive, offensive attack on Taco Bell in the press. In a heavily publicized sound bite, Jackson threatened legal action against Taco Bell stating, “When my legal team is finished with them, Taco Bell is going to have a new corporate slogan: 'We messed with the bull and got the horns.'“ Jackson then brought this lawsuit.”

Taco Bell describes 50 Cent’s actions as “a transparent attempt at self-promotion.” [Comment—not to be confused with a company that would send out "humourous" charitable offer that it knows full well will not be accepted by the recipient but which will garner some publicity for the company nonetheless.]

Taco Bell says that 50 Cent’s lawsuit “has garnered significant media coverage – considerably more, in fact, than Taco Bell's offer.” [Comment—But doesn’t Taco Bell also get publicity from the lawsuit?] Taco Bell argues that his claims fail as a matter of law because “Taco Bell did nothing more than make a legitimate, newsworthy offer to him and provide the public with information about that offer.”

Tuesday, November 11, 2008

First Amendment Protects Grand Theft Auto from Strip Club’s Trademark Infringement Lawsuit


Much has already been written about the Ninth Circuit’s decision in E.S.S. Entertainment 2000, Inc. v. Rock Star Videos, Inc., Case No. 06-56237 (9th Cir. Nov. 5, 2008) finding that the First Amendment protected the makers of the video game Grand Theft Auto from trademark infringement claims brought by the owner of the Los Angeles strip club “Play Pen” over a depiction of a fictional strip club named “Pig Pen” in the video game.

Rather than do my own write-up , I’m opting to provide links to authors who have already written eloquently about the decision:

  • Link to the district court’s decision (here) and commentary at Gamasutra.

Tuesday, September 16, 2008

Jones Day (Ab)Using Trademark Infringement Lawsuit To Stop Website From Posting Publicly Available Information

I admit that I missed this big trademark story when it was publicized last week.

In short, BlockShopper is a website which collects publicly available information on real estate transactions in Chicago, South Florida, Las Vegas, and St. Louis. For certain transactions, the website then goes one step further by linking that information with other publicly available information (e.g., publicly posted law firm bios) to write up news articles about such real estate transactions. When BlockShopper reported on expensive condos purchased by two law firm associates (Dan Malone and Jacob Tiedt), BlockShopper identified the two by their employment with “Jones Day” and linked their names to Jones Day’s web site. For that, Jones Day is now claiming trademark infringement. MediaPost ran an article yesterday about the dispute.

Several other bloggers have already eloquently posted comments and criticism on the lawsuit, so I will respectfully defer to them:

  • Paul Levy’s blog post on Consumer Law and Policy Blog;
  • Prof. Marc Randazza’s blog post; and
  • Citizen Media Law Project write-up.
Citizen Media Law Project also has a page devoted to the filings in the lawsuit. The Amended Complaint can be downloaded here.

We’ve all heard the old law adage “A lawyer who represents himself has a fool for a client.” Well, Jones Day has proven the adage once again. One has to wonder what was going through the heads of the lawyers behind the complaint, which the public should be aware was signed by Jones Day lawyers, Paul W. Schroeder, Irene S. Fiorentinos, Meredith M. Wilkes, Robert P. Ducatman, and James W. Walworth Jr (Comment: Curious about why the complaint had so many attorneys named in it -- would you want your name associated with such a pleading?). As Prof. Randazza notes, Jones Day would have had a much less frivolous argument had it pursued a copyright infringement case rather than trademark infringement (for BlockShopper’s use of Jones Day’s pictures of its two associates). But Jones Day – at the foolish direction of its client – chose instead to assert trademark infringement.

If BlockShopper can get this case dismissed for failure to state a claim upon which relief can be granted, I hope that they pursue Rule 11 sanctions against the attorneys for submitting pleadings that contain frivolous arguments or arguments that have no evidentiary support. Unfortunately, such sanctions may be difficult to obtain even in light of the ridiculousness of this complaint given that a big law firm like Jones Day has enough resources to come up with non-frivolous arguments that its frivolous arguments are not frivolous and that its frivolous arguments do have evidentiary support. At a minimum (per Prof. Randazza’s suggestion), the attorneys should be required to attend remedial ethics counseling.

I would also add that if those two associates (or anybody) truly did not want the world to know about their real estate transactions, they had the option of not purchasing real estate at all or, alternatively, not purchasing real estate in their own name (i.e., purchase a house through a private trust or business entity that has no association to their own name). But no one can get around the fact that public real estate records are just that – public. Granted, the Internet and modern technology have made it a lot easier to gather, organize, and publicize it to the world – but that doesn’t change the fact that the information is public.

Tuesday, November 20, 2007

The Red Hot Chili Peppers Sue Showtime over “Californication”

I had a feeling that this one was coming. I have been an avid watcher of Showtime’s new series “Californication” since it first aired back in August. For those not familiar with the show, it stars David Duchovny as a middle-aged writer living in Los Angeles and coping with a mid-life crisis in his own mature-audiences-only way. The title “Californication” is most apropos -- combining fornication, which Duchovny’s character does a lot of in the series, with California, the geographical backdrop of the show. Of course, for anyone between the ages of 20 to 45, the show’s title also brings to mind the famous Red Hot Chili Peppers’ (“RHCP”) song “Californication” from their 1999 multi-platinum album of the same title.

New stories were abound today (e.g., here and here) reporting that on Monday, November 19, 2007, the four members of the RHCP filed a lawsuit in Los Angeles Superior Court against Showtime Networks, Inc., Twilight Time Films, Inc.; Aggressive Mediocrity, Inc., and Tom Kapinos (collectively “Showtime”) alleging false designation or orgin under Section 43(a) of the Lanham Act (15 USC §1125(a), unfair competition under California law, trademark dilution under federal and California law, and unjust enrichment arising from Showtime’s use of the name “Californication.” See Anthony Kiedis et al v. Showtime Networks, Inc. et al, Case No. BC 380894 (L.A. Super. Ct.). A copy of the complaint can be downloaded here (courtesy of Past Deadline Blog).

RHCP wants Showtime to stop using the name and is seeking treble damages and an accounting and disgorgement of profits made by Showtime while using the name. In a press statement (link here), the band’s lead singer, Anthony Kiedis, was quoted as saying “'Californication' is the signature CD, video and song of the band's career. For some TV show to come along and steal our identity is not right.”

Much of the complaint details the “extraordinary critical and commercial recognition” of both the “Californication” album and song. The album has sold over 14 million copies, received two Grammy nominations, was voted by “Rolling Stone” magazine as one of the Top 500 Albums of All Time, and has gone multi-platinum in over 35 countries worldwide. The song has been “legally” downloaded nearly half a million times in the last two years, has been played on domestic radio alone nearly 200,000 times, and received a Grammy nomination. The video for the song has been played over 1500 times in the U.S. alone and was voted by VH-1 as one of the 35th Greatest Videos of All Time.

One interesting part of the complaint is that not only does RHCP have a problem with the name of the show, but the group also has a problem with a “compilation CD” of music used on the show put out by Showtime. As such, when a search is done for the name “Californication” (in iTunes for example), this music compilation appears alongside the album and songs of RHCP.

RHCP is also fighting with Showtime in the USPTO over the title of the series. On April 10, 2007, Showtime filed a Section 1(b) application to register the mark CALIFORNICATION (for entertainment in the nature of an on-going comedy series). The mark was published for opposition on October 2nd. RHCP have filed an extension of time to file an opposition (link here) – currently due January 30, 2008.

Comments:
There are a few obvious flaws with the complaint (nothing that a First Amended Complaint can’t fix – if this dispute goes that far). The second claim for relief is supposed to be for unfair competition under California law – but instead, the complaint copied and pasted the Lanham Act section – without changing the relevant cites. In addition, the complaint cites to Section 43(a) as the basis for federal dilution – rather than Section 43(c) of the Lanham Act. Furthermore, the language of the dilution seems to pattern the false designation of origin section rather than addressing the specific factors that must be proven under 15 U.S.C. §1125(c)(1).

Prediction #1: Confidential out-of-court settlement. In the RHCP’s favor – strong mark and likelihood of confusion. In Showtime’s favor – First Amendment and Fair Use.

The parties should just reach an amicable settlement and let the show’s creators (the lawsuit identifies Kapinos as the creator, writer and executive producer of the show) get back to creating what is arguably one of the best new shows on TV. “Californication” is to Showtime what “The Sopranos” was to HBO – a quality series with some themes, scenes, and dialogue that could not be aired on mainstream television, but which make you want to subscribe to the pay-channel just to watch.

And while it may be awkward to rename the show after such a stellar first season (the name encapsulates so much about the theme of the show), the writing is so good that you could call this show anything and it would be just as good (how about “The Showtime Adult Comedy Formerly Known as Californication”?).

Prediction #2: And the Golden Globe for Best Television Comedy goes to . . .

Friday, November 9, 2007

Hallmark Files Motion to Dismiss Against Paris Hilton

On November 2, 2007, Hallmark Cards, Incorporated (“Hallmark”) filed its Rule 12(b)(6) Motion to Dismiss for failure to state a claim upon which relief can be granted against Paris Hilton’s right of publicity and trademark infringement lawsuit over a Hallmark greeting card that used her image and her registered trademark “That’s Hot” (the “Card”) (Vegas™Esq blogged here). A copy of the motion can be downloaded here (courtesy of pitch.com).

The filing gave news reporters today great fodder for witty headlines. See MSNBC (“Hallmark thinks Paris’ lawsuit is not hot”), the Post Chronicle (“Hallmark Cold To Paris Hilton Over "That's Hot" Lawsuit”), Entertainmentwise.com (“Hallmark To Paris Hilton: 'You're A Publicity Seeker!'”), and Glosslip.com (“Hallmark: When You Care Enough To Make Fun Of Paris Hilton”).

From the very first paragraph of Hallmark’s Memorandum of Points and Authorities (“Memo”), Hallmark comes out with guns blazing: “Paris Whitney Hilton (‘Hilton’) is a privileged, jet-setting heiress to the Hilton family fortune, the center-of-attention ‘celebutante’ at the most lavish parties and exclusive events, and a consummate self-promoter who, by her own admission, considers working ‘manual, low-paying jobs’ and serving the public to be her ‘private nightmare.’” Memo at 1.

Hallmark seeks to dismiss Hilton’s claims for misappropriation of her common law right of publicity, false designation of origin, and federal trademark infringement.

First Amendment Argument
Hallmark’s primary argument is that its greeting cards constitute expression protected by the First Amendment. Hallmark cites to Tenth Circuit’s decision in Cardtoons, L.C. v. Major League Baseball Players Assn., 95 F.3d 959 (10th Cir. 1996) which found parody baseball cards to be protected speech. Hallmark argues that its greeting cards are just as expressive if not more so than trading cards and that greeting cards have been recognized as “the embodiment of humor, praise, regret or some other message in a pictorial and literary arrangement.” Memo at 8. Hallmark characterizes the Card as “not only entertainment and parody, but also social commentary and criticism of Hilton’s lifestyle and belief system.” Id.

Right of Publicity Claim
With respect to Hilton’s common law right of publicity claim, Hallmark argues that its use of Paris Hilton’s name and likeness was not for a commercial purpose (i.e. advertising, endorsements, or commercials) as required to state a right of publicity claim, but rather expressive speech (citing Cardtoons).

Hallmark then goes through a long discussion regarding the “transformative use” test to “determine whether a work merely appropriates a celebrity’s economic value, and thus is not entitled to First Amendment protection, or has been transformed into a creative product that the First Amendment protects.” Winter v. DC Comics, 30 Cal. 4th 881, 888 (2003). In short, the use of a celebrity’s image is protected by the First Amendment and does not violate such celebrity’s right of publicity when the work using the image contains such transformative elements as parody, caricature, and other types of distortion as to create a new expression (in contrast to a literal depiction of such celebrity). Hallmark argues that the Card used Hilton’s image in a transformative way – placing an oversized photograph of Hilton over a cartoon body making her appear as a waitress (which Hilton apparently calls her own “private nightmare” in her Amended Complaint) with a dialogue that uses her catchphrase in a literal sense in describing the patron’s food.

Finally, Hallmark cites the “public interest” as a defense to Hilton’s right of publicity claim citing Hilton’s notoriety and public figure status make her a fair target for Hallmark’s expression.

False Designation of Origin
With respect to Hilton’s allegations that Hallmark’s use of her name and likeness create a false designation of origin in violation of Section 43(a) of the Lanham Act (15 USC §1125(a)), Hallmark cites to several cases for the proposition that the First Amendment bars Hilton’s Lanham Act claim in much the same way it bars her right of publicity claim. See Kirby v. Sega of America, 144 Cal.App.4th 47 (Cal. App. 2nd 2006); ETW Corp. v. Jireh Publ’s, Inc., 332 F.3d 915 (6th Cir. 2003); Hoffman v. Capital Cities/ABC, Inc., 255 F.3d 1180 (9th Cir. 2001).

Hallmark also argues that the “nominative use doctrine” protects Hallmark’s use of Hilton’s name and likeness (the mark at issue in the Lanham Act claim) which were used to express commentary about and parody of Hilton. The doctrine (sometimes called the “nominative fair use defense”) allows a party to use or refer to another party’s trademark if the product or service in question cannot readily identifiable without use of the trademark, the use is only so much as is reasonably necessary to identify the product or service, and the use does nothing that would suggest sponsorship or endorsement by the trademark holder. See New Kids on the Block v. News America Publishing, Inc., 971 F.2d 302 (9th Cir. 1992). Without commenting on the first two prongs of the test, Hallmark argues that its use of Hilton’s name and likeness, as a parody, did not suggest sponsorship or endorsement by Hilton.

Finally, Hallmark argues that the likelihood of confusion test is inappropriate for expressive works that incorporate a trademark. Hallmark cites the Ninth Circuit’s decision in Mattel, Inc. v. MCA Records, Inc., 296 F.3d 894 (9th Cir. 2002), where the court found that the use of the term “Barbie” in the “Barbie Girl” song was not trademark infringement and was protected by the First Amendment because the mark was relevant to the work and the use was not misleading as to sponsorship or endorsement. Hallmark asserts that in the case of Hilton’s “image and likeness,” Hallmark’s use in the Card was artistically relevant and not specifically misleading as to sponsorship or endorsement. Furthermore, even if the likelihood of confusion test were applied to Hallmark’s use of Hilton’s “image and likeness,” the parodic nature of the Card is so obvious that it would not cause any consumer to believe that Hilton created the Card or otherwise endorsed the Card.

Hallmark also adds that Hilton, as a public figure, fails to plead and prove with clear and convincing evidence that Hallmark’s use of her “image and likeness” was done with actual malice. Citing Hoffman, Hallmark argues that Hilton has not shown clear and convincing evidence that Hallmark intended to create a false impression in the mind of consumers that the image of Hilton on the Card was her or that Hilton was somehow endorsing the Card.

Federally Registered Trademark Infringement
With respect to Hilton’s allegations that Hallmark’s use of the word “That’s Hot” on the Card infringes Hilton’s registered trademark for THAT’S HOT, Hallmark reiterates most of the same arguments set forth to dispute Hilton’s false designation of origin claim. First, Hallmark’s Card is protected speech under the First Amendment, and Hilton’s allegation of infringement of the “That’s Hot” trademark is barred. Second, the use of the words “That’s Hot” is protected by the nominative use doctrine – such use was for parody and not to designate any goods or services or to serve as an indicator of source, sponsorship, or affiliation. Third, the likelihood of confusion test should not apply because the use of “That’s Hot” on the Card was artistically relevant to the Card and was not misleading as to suggest that the Card was sponsored or endorsed by Hilton. And even if such test were applicable, the obvious parodic nature of the Card would not cause any consumer to believe that Hilton created the Card or otherwise endorsed the Card.

Finally, Hallmark adds that Hilton’s registration for THAT’S HOT does not cover greeting cards. When Hilton originally filed her Section 1(b) intent-to-use application, it included among various goods and services “paper goods” and “printed materials” (in Class 16). However, on September 9, 2005, in response to the USPTO’s office action dividing her goods and services into several different classes, Hilton chose to delete the Class 16 goods and proceeded to prosecute the application for various clothing items in Class 25, and which was the scope of the application when it ultimately registered on February 13, 2007.

Summary
Hallmark summarizes its argument against Hilton very well early on in the Memo: “Hallmark’s Card parodies Hilton, her silver-spoon upbringing, her lavish lifestyle and her oft-repeated, vapid use of the catchphrase ‘that’s hot.’ Like the countless other parodies, comic strips and editorials that have taken aim at this self-described ‘cultural icon’ of society, the Card is fully protected speech under the United States and California Constitutions.” Memo at 2.

I should add that the Memo is full of interesting descriptions and characterizations of Hilton and her notoriety that could only come from a lawyer. My favorite -- “Hilton indisputably attracts vast amounts of attention and publicity – much of it as a result of her own efforts and actions. Seemingly every aspect of her life is fodder for the press and for water cooler conversation – form her television appearances, to the lavish lifestyle she leads, to her party hopping, to her romances and sexual escapades (whether videotaped or not), to her high fashion clothing, to her idioms, to her incarceration (and controversial early release) and to various other legal issues – including even the filing of this lawsuit.” Memo at 13-14

Now that’s hot!